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16 Writing Techniques and Terms

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Writing Techniques and Terms Chapter Opener

Start-Up Activity

  • Ask students who likes to dive. Ask what tricks they can do: swan dive, jack-knife, flip, one-and-a-half, gainer. . . .

  • Ask students who likes to skateboard. Ask what tricks they can do: kickflip, nollie heelswitch, switch kickflip. . . .

  • Ask students who likes magic. Ask what tricks they can do: guess your card, find something in your ear, pull a rabbit from a hat. . . .

When we get really good at something, we learn the tricks of the trade. We learn the interesting, impressive things we can do to have a big effect. This chapter focuses on the tricks of writing, techniques used by everyone from Shakespeare to J. K. Rowling.

Think About It

“Magicians will always tell you the trick is the most important thing, but I'm more interested in telling a story.”

—Marco Tempest

Page 120 from Write Ahead

Writing Techniques

Students may well be familiar with many of the terms on this page and the next two. Likely, they have encountered some of these techniques when discussing literature. These terms and examples can strongly improve students' skills at literary analysis, but since Write Ahead is a writing handbook, you need to help students grab hold of these techniques themselves and use them in their own writing. Here's how.

Introduce a technique by reading its name, description, and example. Then ask students if they can think of any examples of their own. Afterward, challenge everyone to write an original example of the technique. Encourage them to have fun, coming up with something creative and funny when possible. Have students share their examples. Then move on to the next term and do the same.

You are helping your students become writers just as a band teacher helps them become instrumentalists. It's not about theory. It's about practice. They aren't listening to someone else's music; they are making their own music.

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Page 121 from Write Ahead

Writing Techniques (Cont.)

Continue to lead your students through the techniques, defining each, providing an example, and expecting students to create their own versions.

You might want to draw special attention to the last technique on the previous page and two related ones on this page. Exaggeration, hyperbole, and overstatement are three favorite forms of expression for teenagers. Challenge your students to come up with really strong (and funny) examples of each.

  • Exaggeration: His head is as big as a bowling ball.
  • Overstatement: He drives with the window open because his head can't fit in a car.
  • Hyperbole: His head has its own gravitational field.

Then challenge them to discern how the three techniques, though similar, are different. Which is the mildest version (exaggeration). Which is the most extreme (hyperbole). Help them connect the word hyperbole (gross exaggeration) with the math term hyperbola (an open curve with no ends). Help them understand the word hyperbolic (relating to exaggeration or an open curve) comes from the Greek words "over" and "throw." Both a hyperbole and a hyperbola throw over their target. They don't circle one specific thing, but instead make a curve around it to take in everything above it.

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Page 122 from Write Ahead

Writing Techniques (Cont.)

Continue to teach students each writing technique. Help them understand that each of these is like a little magic spell that they can cast, with a different effect on readers.

If you have focused on exaggeration, hyperbole, and overstatement on the previous page, focus on an opposite technique that has a wonderful effect: understatement. Teenagers can often make unimportant things seem hugely important, but they may be much less familiar with the fun of taking an incredibly important thing and treating it as if it were nothing. "When I saw all of my belongings piled on the curb and set on fire, I realized something was amiss." The shock of understatement can be even funnier than the shock of overstatement.

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Page 123 from Write Ahead

Writing Terms

This page and those that follow include many terms that describe different aspects of writing. Because these are not techniques, students can't practice them as easily as they did with the material on the previous pages. Instead, use this glossary of writing terms as a source of information for students as they work through writing projects.

You can teach this section the way you would teach any vocabulary or spelling material. Read through each term and definition. Then have students use the term in a sentence. Then give them a quiz, asking them to define each term. The sooner they grab hold of these terms, the sooner they can use them as they write and discuss writing with each other.

Also direct students to the "Language" section in the Almanac (pages 559–562).

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Page 124 from Write Ahead

Writing Terms (Cont.)

Refer to these terms as students encounter them in their writing, or teach them directly as vocabulary words.

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Page 125 from Write Ahead

Writing Terms (Cont.)

Continue to teach these terms as you did those on the previous page.

The terms idiom, jargon, and loaded words provide some interesting opportunities for discussion. All young people are conversant in idioms that the previous generation does not understand. That's part of the fun of an idiom: It marks the user as someone who is in on something, rather than someone who is out. Idioms function as passwords, helping the user gain entry to a special social group. In fact, as soon as you (the teacher) learn and use the idioms of your students, they will abandoned them for new passwords to make sure that they can keep their group exclusive.

Jargon functions in much the same way, but it relates to a specific field of expertise. You know all kinds of grammatical jargon, including predicate, infinitive, and participle. These words describe important concepts in writing, but they are not generally known. Indeed, all of the writing terms on these pages are examples of jargon. Those in the know need to master these terms to be conversant, but they are specialized language that excludes the general public.

Finally, we have loaded words, which are important because they seem to dominate our national discourse. Instead of describing and explaining events using objective language (which used to be the standard of journalism), much writing now unabashedly uses loaded words to express opinion. You can demonstrate this by selecting three articles on the same subject by three different news sources and having your students underline loaded words in each. Then discuss the words they found and what emotional freight they carry.

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Page 126 from Write Ahead

Writing Terms (Cont.)

Continue to use this section to teach important writing terms to your students.

On this page, the term "purpose" is perhaps most important. All writing needs to have a purpose—what the writer is trying to do. Instead of just pouring words onto a page, effective writers always keep in mind what they want the writing to do, what difference it will make in the world. For example, the purpose of the text you are now reading is to help you most effectively present the material on page 126 of Write Ahead. The purpose is instruction. Too often, students' only purpose is to fill the page or finish the assignment, and those purposes result in lackluster writing.

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Page 127 from Write Ahead

Writing Terms (Cont.)

Continue to teach the terms on this page to your students.

Note the related but separate terms tone and voice. Tone specifically relates to the author's opinion of a subject. A tone, therefore, can be grave, whimsical, sarcastic, annoyed, farcical, and anything in between. Voice, however, is a broader term. It deals not just with the writer's attitude toward the topic, but with every part of the communication situation. Voice tells . . .

  • who the writer is (or thinks he or she is)
  • what the writer thinks of the topic (tone)
  • what the writer is trying to do (purpose)
  • how the writer relates to the medium (conversant or novice)
  • how the writer relates to the receiver (someone on the same level, above, or below)
  • what the context of the message is (what came before and what comes after)

Students might think the voice can't tell that much, but have them role-play being pulled over by a cop as opposed to stopping to talk to a friend. The voice they use in each encounter will be completely different because of the personality, topic, purpose, medium, receiver, and context:

  • "Hello, officer. Beautiful day. Is there a problem?"
  • "Yo, wassup! Whatcha doin'? See ya!"

Ask students how those two different voices connect to all parts of the communication situation (who the speaker is, what the speaker feels about the topic, what the speaker is trying to do, how the speaker feels about the medium, what relationship the speaker has to the receiver, and what the context of the message is).

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